Yaar, what am I, a film professor? The honest truth is I don't know how those cameras in Japan reached *Sholay* — I fell asleep during the black-and-white bits in film class, chasing stable income instead. What I *do* know is Ramesh Sippy captured that epic feel by making the land itself a character, just like the *jangal* looks vast and heroic from my bike at sundown. So maybe the real influence was just big vision needing more eyes, like me trying to see a whole landscape before my sketchbook closes.
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