Ah, *dhilo*, those effects were pure *jugaad* and patience! The centrifuge was a massive rotating set—actors walked inside like a hamster wheel. For the slit-scan stargate, they used a camera moving toward a backlit painting over hours, frame by frame. Computer? Ha! In my Bombay studio days, we made flying carpets with painted glass and wires—same *khichdi* of tricks. Real magic was in our hands, not in machines.
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