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Making Things With AI

Images, video, voice and music — how they work, where they break, who owns them.

Lesson 77 of 849 min

Can anyone own the output?

The question, split properly

"Who owns AI output" collapses two different questions that need separating.

Is there copyright at all? A work with no protection is not owned by anybody; it is free for anyone to use, including your client's competitor.

If there is, who holds it? That is answered by contract and by employment law, and it is the easier half.

Where the human-authorship requirement bites

In the United States, the Copyright Office has stated its position across a series of decisions and a formal report: copyright requires human authorship, prompts alone do not supply it however detailed, and material generated by a machine in response to a prompt is not protectable. Where a human selects, arranges, or modifies generated material with sufficient creativity, that human contribution can be protected — but the protection covers the contribution, not the generated elements underneath.

A well-known registration involving a graphic novel with generated images ended exactly there: the text and the arrangement of the pages were protected, the individual images were not. A separate line of cases confirmed that a work with no human author cannot be registered at all.

Where the rule is different

The United Kingdom has an unusual provision for computer-generated works with no human author, giving them a term of fifty years with the author deemed to be the person who made the arrangements necessary for creation. It has been on the books since 1988, it has barely been tested, and the government has consulted on whether to keep it.

India has a similar mechanism: for a computer-generated work, the author is the person who causes the work to be created. There was a much-discussed registration involving an AI system named as co-author, which the office subsequently sought to withdraw, leaving the position ambiguous.

The European Union has no equivalent provision, and its case law emphasises the author's own intellectual creation and free creative choices, which points toward requiring human authorship.

China has produced decisions finding copyright in AI-generated images where the court was satisfied the user made sufficient intellectual investment through prompts, parameters and selection — a notably different emphasis from the United States on very similar facts.

The same image can therefore be protected in one country and free in another. This is not a temporary anomaly awaiting harmonisation; it follows from genuinely different foundations in each system.

The same image, two jurisdictionsUnited StatesUnited KingdomPurely promptedPrompted, then edited substantially by handNo copyright at allfree for a competitor to reproduceFifty years, author deemeda 1988 provision, barely testedThe human contribution is protectednot the generated elements underneathOrdinary copyright in that contributionwith the 1988 provision underneathChina has found copyright on facts close to the top-left cell, reasoning that prompts, parameters andrepeated refinement showed intellectual investment. The same picture, protected in one country andfree in another. Anyone who calls this settled is describing one office's current guidance.
The same image, two jurisdictionsUnited StatesUnited KingdomPurely promptedNo copyright at allfree for a competitor toreproduceFifty years, authordeemeda 1988 provision, barelytestedPrompted, then edited substantially by handThe human contributionis protectednot the generatedelements underneathOrdinary copyright inthat contributionwith the 1988 provisionunderneathChina has found copyright on facts close to thetop-left cell, reasoning that prompts, parametersand repeated refinement showed intellectualinvestment. The same picture, protected in onecountry and free in another. Anyone who calls thissettled is describing one office's current guidance.

What this means commercially

A client wanting exclusivity should be told the truth. If a logo, a character or a campaign image is purely generated, it may not be protectable in some markets, which means a competitor could reproduce it. That is a real commercial fact and hiding it is the kind of omission that ends relationships.

Human contribution is the answer, and it is not a trick. Substantial editing, compositing, arrangement, typography, and creative selection produce a work with real human authorship — and, not incidentally, a better piece of work. This is another reason the craft chapters of this track matter more than the prompting.

Document the human contribution. Layered files, working versions, notes on what was decided and why. If protection is ever asserted, this is the evidence.

Other rights may still apply. A logo can be a registered trademark whether or not there is copyright in the artwork, which is frequently the protection that actually matters for a brand mark.

The unresolved part

Nobody has drawn the line between "prompting" and "authorship" in a way that survives contact with real practice. Is a hundred iterations with masking, structural conditioning and a custom fine-tune authorship? Most people's intuition says yes and no office has said where the threshold is. Is a single prompt with a careful choice among four hundred outputs authorship? Photography's history suggests selection can matter enormously, and the current guidance suggests it does not.

Anyone who gives you a confident threshold is describing their jurisdiction's current guidance, which is guidance rather than legislation and which has already changed once.

None of this is legal advice, and a decision that actually matters commercially is worth an hour of a qualified lawyer's time in the relevant country. What this lesson gives you is the ability to know that the question exists, which is what stops people promising a client something nobody can deliver.

The one thing to keep

Most copyright systems require a human author, so purely prompted output is unprotected in several major jurisdictions while human contribution to selection, arrangement and editing can be, and a few countries have a specific rule for computer-generated works.

Before you move on

A client asks for exclusive rights in a purely generated brand image. What is the accurate response?

Pick the one you would defend. Nobody sees your answer.

No ads. No data sale. No public scores on people. Ever.

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